Just look at the scalding fury in the photos of her as Cherubini’s Medea ... way Larraín frames the story. The film homes in on the last week of Callas’s life, spent roaming through ...

during a performance of Medea, Jolie unleashes a hot glare. The moment is so electric that you wish the whole film had that juice. We don’t see Callas that vibrant again until the end credits, ...

She’s best known for her performances in the operas Medea, Tosca and La Traviata ... according to Callas's biographers. But the film doesn’t glamorize Callas, and instead portrays her as ...

This dress, a recreation of the Medea costume Callas wore on stage in Milan in 1953, is one of Cantini Parrini’s favourite looks in the film. The original dress won by Callas at La Scala ...

One of the greatest opera stars in history, Maria Callas lived a life of high drama and high fashion, and her jewellery ...

Chilean director Pablo Larraín concludes his thematic trilogy of 20th century biopics of famous women – after ‘Jackie’ and ‘Spencer’ – with this soft, restrained drama ...

Simply sign up to the Film myFT Digest -- delivered directly to your inbox. A production line is no place for a diva, but this is where Maria Callas ends up in new biopic Maria. The opera singer ...