But in this lesson, I’d like to demonstrate “making the changes,” which means acknowledging each chord melodically. Figure 2 presents a solo that does this. I begin over F7 with a simple ...
D7/A is the VI (six) chord, and I approached it from a half step, or one fret, above. GWM586 Jim Oblon Lesson: how to solo over a I-VI-II-V progression The bar ends with Ab7 to G7 at the start of ...