a film camera (there are only eight in existence), like the ones Nolan used on "Oppenheimer," and an array of Imax-certified lenses that modify digital cameras, such as those deployed on "Dune ...

So much so that he’s now working with IMAX on creating a number of next-generation IMAX film cameras. In a recent conversation, with its head of post-production Bruce Markoe, told me that ...

Tapping into the trend of rediscovering the beauty of analogue, Dune: Part Two has been released on film, in both 70mm and IMAX 15/70mm – the formats that did so well for Oppenheimer.