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The New Criterion
13 小时
Cry, uncle
This winter, the playwright Matthew Gasda, best known for his observations of New York’s disaffected Zoomer youth, has staged ...
The New Criterion
18 小时
Beyond the Assisi frescoes
Venerated in his lifetime, Saint Francis did not have to wait long for a monument to be erected in his honor. A basilica in ...
The New Criterion
2 天
Mexican magic
Paul du Quenoy on a concert of the National Symphony Orchestra in Washington.
The New Criterion
7 天
Maestro/Ambassador Muti et al.
Rosa Feola, the Italian soprano, does her part in advocating Martucci. (She is a favorite singer of Muti, by the way.) She ...
The New Criterion
7 天
Arising from the azure main
Jeremy Black on “The Price of Victory,” by N. A. M. Rodger.
The New Criterion
7 天
Cape Cod’s mermaid surrealist
When the ship’s crew cut into Crook Jaw, they found neither Devil nor mermaid inside, just heaps of yellow seaweed. As it ...
The New Criterion
7 天
Rhetorical figures
Paul Dean on “Shakespeare’s Tragic Art,” by Rhodri Lewis.
The New Criterion
7 天
The medical outlook
She, too, was a writer, and she sent me a short piece that she had published in a medical journal, which I found to be of ...
The New Criterion
7 天
Municipal decay
Michele H. Bogart on the Taber Sears mural in the New York City Council Chambers ...
The New Criterion
7 天
Exhibition note
Benjamin Riley on “Sorolla and the Sea,” at the Norton Museum of Art, Palm Beach.
The New Criterion
7 天
America’s grandest wager
T he Chinese official, speaking at the Harvard Club in New York just before the turn of the century, was sobbing.
The New Criterion
7 天
The old gods return
After Warburg died in obscurity in 1929, devotees tended his flame. His memory was preserved above all within the research ...
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