In the Penguin translation of Catullus two words are left untranslated. ‘Pedicabo et irrumabo vos’, writes the poet of his foes Furius and Aurelius and ‘pedicabo et irrumabo vos’ is how it stays in ...

In 1843, two years before her death at the age of seventy-two, Cassandra Austen told her brother Charles that she had been ‘looking over & destroying some of my Papers’, but was keeping ‘a few letters ...

Thomas W Hodgkinson: There Was No Sorcerer - Box Office Poison: Hollywood’s Story in a Century of Flops by Tim Robey Thomas W Hodgkinson - There Was No Sorcerer Thomas W Hodgkinson: There Was No ...

‘This book’, Boutros Boutros-Ghali intones in its closing pages, ‘has been about the loss of an opportunity to construct an agreed-upon post-Cold War structure for international peace and security.’ ...

There is not enough fiction in Hollywood and that’s a fact. Not enough Hollywood either, for that matter. Do not let the title of Gore Vidal’s new blockbuster fool you into thinking that it belongs – ...

Thomas W Hodgkinson: There Was No Sorcerer - Box Office Poison: Hollywood’s Story in a Century of Flops by Tim Robey Thomas W Hodgkinson - There Was No Sorcerer Thomas W Hodgkinson: There Was No ...

After Napoleon, Marie Antoinette is probably the most famous French historical figure in Britain, even though she was originally Austrian and he was Corsican. At an early age, however, both left home ...

Reading the publisher's blurb for this novel, I'm disappointed. It promises an 'exciting new departure' from Maggie O'Farrell's previous work, the best book you'll read all year, and so on. 'Exciting' ...

In January 1937, the mutilated – no, butchered – body of Pamela Werner, a pretty, somewhat naive girl from Britain, was found in Peking, not far from the ice rink where she had been skating and the ...

What makes reading Margaret Atwood such fun is her gift for enjoying herself so thoroughly as she writes. She makes you share her zest for words, people, jokes, sharp-edged description and endless ...

A game played by all of us who work at the literary end of the book trade, and I expect by mere consumers too, is: spot the real classic, the author who will be widely read in two hundred years’ time.

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