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Historians specializing in the history of the parterre in France attribute the movement to install seats in playhouses with efforts to silence the unwieldy parterre. Seats were installed in the Comédie-Française in 1782 and in 1788 benches were installed in the Comédie-Italienne. [28] 展开
The word parterre comes from the French par and terre and literally translated means "on the ground". The main meaning of the word is the front section of a formal garden, but by the mid-17th century, it was also used … 展开
Parterre practices ranged from harmless gossiping to violent rioting. Talking, laughing, whistling, drunken brawls, and hissing, even dancing and … 展开
Jürgen Habermas's influential work The Structural Transformation of the Public Sphere provides historians with the theoretical foundation for scholarship on the rise of a public sphere in Europe. For Habermas the public sphere constitutes a "realm of … 展开
• Feldman, Martha. Opera And Sovereignty. Chicago: University of Chicago, 2007.
• Friedland, … 展开It is impossible to categorize parterre audiences as belonging exclusively to one social class, but historians agree that cheaper parterre tickets drew a proportionately higher number of lower-level professionals and commercial labourers, such as … 展开
Between the late 18th and early 19th centuries there was a transformation in theater audiences from active participants to passive viewers, most noticeably in the parterre. While there is consensus among scholars that such a transformation occurred, how and why it … 展开
CC-BY-SA 许可证中的维基百科文本 Theater pit - quod.lib.umich.edu
In this regard, the parterre changes when a troupe moves to a new venue, because their regulars do not follow them. It has been noticed, for example, that since the Comédie-Française has …
- 作者: Jean-François Marmontel (biography)
- 标题: Theater pit
- Original Title: Parterre
- Volume and Page: Supp. vol. 4 (1776-77), pp. 241-242
The Rise of Revolutionary Sentiment in France and Its Impact on …
As the audience for dramas expanded in Paris in the course of the eighteenth century, new classes of people began to fill the Comédie-Française's parterre, or ground floor. Admission to …
The Contested Parterre - Google Books
2018年9月5日 · These denizens of the parterre, who accounted for up to two-thirds of the audience, were given to disruptive behavior that culminated in full-scale riots in the last years …
- Afterword: 225
- Index: 249
- Bibliography: 239
Theatre Database / Theatre Architecture - database, projects
Theatre in Eighteenth Century France II: Theatre Spaces, Staging ...
2013年10月23日 · In 1700 there were only two “legitimate” or licensed theatres in Paris (similar to the situation in London); the Opéra, which had a monopoly on sung drama, and the Comédie …
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The theatre and its public: Practices and representations of the ...
2002年7月1日 · When the Comédie-Française seated its parterre spectators in 1782, however, the rift between absolutist cultural politics and France's emerging consumer culture grew too …
Jeffrey S. Ravel, The Contested Parterre. Public Theater and French ...
En 1692, dans Les Chinois, une pièce jouée à la Comédie-Italienne, apparaît sur scène un personnage nommé « le Parterre ». Au xvne siècle, les représentations du parterre, indexées …
Parterre (théâtre) — Wikipédia
Théâtre à l'italienne de Douai : Le parterre vu du poulailler. Le parterre est l'ensemble des places situées au rez-de-chaussée d'une salle de spectacle [1]. Autrefois, le parterre ou parquet ne …
Project MUSE - The Contested Parterre
Ravel describes how the parterre came to represent a larger, more politicized notion of the public, one that exposed the inability of the government to accommodate the demands of French …
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