Filmmaker Magazine
Isabella Rosselini on her farm. In the first of a series on filmmakers and their relationship to the animal world, artist, director, writer and actress Amalia Ulman visits with actress, director (of the short film series Green Porno, among others), model and animal behaviorist Isabella Rossellini at her regenerative farm, Mama Farm.
Fall 2024 - Filmmaker Magazine
The New You: Aaron Schimberg on A Different Man. Aaron Schimberg has always had a personal interest in facial disfigurement. The New York–based writer-director was born with a bilateral cleft lip and palate, along with other medical issues, and has spent the majority of his filmmaking career grappling with people’s perception of him.
Winter 2024 - Filmmaker Magazine
The Passionate Epicures: The Taste of Things Director Tran Anh Hung Interviewed by Frederick Wiseman A long-gestating passion project for Tran Anh Hung, The Taste of Things takes as its starting point Marcel Rouff’s eccentric, echt-French novel The Life and Passion of Dodin-Bouffant, Gourmet, which follows Dodin-Bouffant in the wake of the death of his longtime cook and occasional sexual ...
Spring 2024 - Filmmaker Magazine
“I Hope It’ll Be Comforting to Trans People, Because the Butterfly Narrative Leaves Out the Reality of the Experience”: I Saw the TV Glow Director Jane Schoenbrun Interviewed by Gregg Araki “I often don’t remember my dreams, and so when I do, I’ve learned to listen to what my subconscious could be trying to tell me,” director Jane Schoenbrun told Filmmaker in …
Winter 2025 - Filmmaker Magazine
Hits & Misses 2024: Case Studies of Six Sundance 2024 Premieres. In September, Variety declared, “Indie Films Are Staging a Box Office Comeback,” touting the success of the films Longlegs, Thelma and Late Night with the Devil as signs of life for a segment of the industry “crushed by COVID, strikes and streaming,” as reporter Brent Lang wrote.
Filmmaker
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Spring 2023 - Filmmaker Magazine
A Need to Focus: Guy Maddin Interviews Kelly Reichardt About Showing Up. Talking to The Guardian’s Xan Brooks in 2014, Kelly Reichardt reflected on the students she’s taught in her teaching position as an artist in residence at Bard.
AI Is Already Changing Filmmaking: How Filmmakers Are Using …
2024年6月27日 · However, all of these features just mentioned live inside editing tools, and every editing tool has different features. If you’re editing in a program—say, Final Cut Pro—that doesn’t have AI denoising like DaVinci Resolve, you’ll find yourself doing a lot of roundtripping of your footage to another program, like Topaz AI, to denoise …
Fall 2021 - Filmmaker Magazine
The Girl Who Knew Too Much: Bong Joon-ho Interviews Edgar Wright about Wright’s Exhilarating, ’60s-Set Psychological Thriller, Last Night in Soho “A unique collision of private and public fantasy took place in the 1960s, and may have to wait some years to be repeated, if ever,” J. G. Ballard said in an interview contained within the …
Fall 2022 - Filmmaker Magazine
Self-Service Distribution: Director Lisa Hurwitz on Distributing Her Documentary, The Automat Back in the fall of 2021, still in the midst of the COVID-19 pandemic, I had come to terms with the apparent fate of my film, The Automat, about the Horn & Hardart automats that operated in the United States from the late nineteenth to late twentieth centuries.