2009年6月6日 · Some very old PA's and preamps only had high-z inputs. It is a clue if the mic comes with an unbalanced (T-S) 1/4" plug at one end, and the other end is threaded, and screws on to the mic. Plugging one of these into a modern low impedence mic input is bad voodoo, and the results may be pretty ugly.

2014年9月26日 · You could hang "stuff" on the wall(s).....or you could forgo the room mic and just use a close mic....and/or you could use the close mic and cover the entire amp/cab/mic rig with a couple of quilts and take the room out for the most part. WIth that, you can even move the mic a foot or two away from the cab, and just make sure you cover everything.

2015年9月6日 · One reason condensers often have pads built in is that if you overload the mic's internal electronics no amount of attenuation after the mic will fix it. This case doesn't sound like it's the mic that's clipping, but if you get the level controlled at the preamp and it still sounds clipped it may be the mic itself that's the problem.

2006年1月16日 · The correct way to use a lo-z mic into a hi-z input (like a guitar amp or cassette deck, for example) would be to use a XLR cable and connect an inline impedance matching transformer. This normally looks like a cylinder with an female xlr connector on one end and a 1/4 inch male phone plug at the other.

2020年12月30日 · A headphone is not low level, it starts mic, then guitar, then line consumer level, then line pro level, the. Headphones, then speakers, in terms of ooomphf. Speakers probably should also go desktop speakers, small high, large high, PA, big PA and then stadium PA. with care, your kit can span two or three of these happily.

2008年9月6日 · Contrary to the belief of a lot of people, the -10db pad is in fact a necessary switch. One time a guy asked me: why do mics have a pad on it, if i can use the pad on the pre-amp?, well the thing is this, condenser mics actually have an amplifier in it, think of it as a pre-pre-amp, the pad is between the capsule and this amplifier, so when you are recording a high SPL …

2006年11月13日 · There were multiple capsules that could be used with the mic bodies. The CK704 is the cardioid capsule. The CV701 and 702 are omni capsules. The CK703 is also a cardioid capsule. CK706 and 707 are cardioid/shotgun capsules and CK708 is a figure of 8 capsule. The combo CV710 amplifier and CK704 capsule is called an MC714. I have an …

2002年5月14日 · writersf-What I meant was the opposite of what you apparently understood - limit the mixer's output to a very _low_ level signal (which is what normally comes in thru the amp's inputs from an instrument or a mic), and use the amplifier's volume knob to control the volume from the speaker.

2010年5月15日 · Another way to do it is close-mic the amplifier with the dynamic and then mic the room with the condenser. Just set the condenser several feet away from the dynamic mic and the amplifier. Try standing in different positions within the room to hear where it sounds best, then set up the mic there.

2012年5月2日 · it's usually common to use the same/very similar pre's and mic's to record in stereo so that it sounds similar and gives you a real stereo image. Saying that, i've tried 3 of the ART MP's (2 of the MP's and one of the first series MP studios that was basically the standard MP with a VU meter) and if there is a difference is sooooooooooo small ...